Dancing on Ripples with No Destination began with an origami horse on a beach — a fragile creation placed somewhere wild and unpredictable. That tension stayed with me throughout: the beauty of control, set loose.

Each piece in this series began with a concept — escape, loneliness, memory — and unfolded in monochrome. I worked deliberately, chasing clarity through contrast, light through the starkness of black and white.

There’s discomfort here. Stillness. Melancholy. But also a kind of resolution — not in knowing where you’re going, but in learning how to move through what’s uncertain.

I didn’t know the destination when I began, but looking back, the body of work holds together like memory: scattered, coherent, and quietly complete.